"The face is in every photograph, an object fascinating and enigmatic by which the viewer is suddenly back to himself." Serge Tisseron, the mystery of camera lucida, photography and unconscious. The portrait is a question which is the exploration of self and identity through the representation of a likeness. If the look of the model eludes the viewer's gaze, the questions become stronger. "... We are trained from childhood to hide our emotional intimacy in the eyes of others, a gaze without eyes we inevitably brings us back to the period of life when the eyes of adults was credited to guess our intentions more hidden. Unable to escape a look so we can not fight us in his eyes. "Serge Tisseron
I tried to work as a portrait rather than introjection. By projecting the viewer into a world common method through a hidden or partially hidden view, we are particularly referred to ourselves: The nostalgic memories of childhood, where innocence allowed the dream , where all the fantastic projections of desire were allowed, we refer to sensations forgotten. I wanted to revive a small part of ourselves through the moments of the game, fantasy and stories that have shaped our evolution. Drawing on the work of Deborah Mesa-Pelly, who reinterpreted so disturbing fairy tales and folk stories, putting an image fears, fantasies and collective emphasizing the strangeness of the situations. I wanted to play on the ambiguity between security concerns and because the period of childhood innocence what eventually return us to our own reality, much more disturbing ...
I tried to work as a portrait rather than introjection. By projecting the viewer into a world common method through a hidden or partially hidden view, we are particularly referred to ourselves: The nostalgic memories of childhood, where innocence allowed the dream , where all the fantastic projections of desire were allowed, we refer to sensations forgotten. I wanted to revive a small part of ourselves through the moments of the game, fantasy and stories that have shaped our evolution. Drawing on the work of Deborah Mesa-Pelly, who reinterpreted so disturbing fairy tales and folk stories, putting an image fears, fantasies and collective emphasizing the strangeness of the situations. I wanted to play on the ambiguity between security concerns and because the period of childhood innocence what eventually return us to our own reality, much more disturbing ...
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