You'' the meaning, the emotion that goes?''
Stage in front of the camera
Sunday 16 May 2010 in Paris
- Readership: actors -
- Number of participants: 12 -
care possible DIF AFDAS
Speakers: Fred Demont director
and Elsa Saladin coach and actress
The camera is as accurate as a microscope and has a broad scope. She has the magical quality of being able to photograph what you feel .
When an actor manages to contain his emotion as long as possible, the viewer senses that something is about to happen.
Faced with a strong emotional charge the actor does not stand up, it recognizes and uses it. But not to lose control of the game, forgetting that he is facing the camera, it must remain in its action, remember why it is there and what to do.
The constant return to image will give an educational response to these three fundamental questions:
- What makes the actor?
- What does it feel then?
- What is perceived by the viewer?
Thus the actor will realize that keeping control of his emotions is the fairest way to make it exist with force.
Contact: Elsa Saladin : 06 81 37 12 39 - e.saladin @ free.fr
internship Sunday 16 May 2010
Hours: 11h-20h
Gauthey Paris 17 29 rue th , metro Brochant
Fred Demont has produced numerous television series (Paris 16, Dock 13, 72 hours, missing files, Second B ...), he also wrote and directed short films (Be realistic ask the ' impossible Sabatho, All girls called Juliet, salmon ...) and has conducted training for actors face to the camera (Orchestra and Balcony).
Elsa Saladin toured feature films (Louis King child, the gift of Elena ...) Series (Aix Mélodie West Bay, C com c @ Julie Lescaut ...) short films (My man Easy, Visiting ...) it was cast (ads, feature films, ... series) and conducted trainings for the actor facing the camera with Fred Demont (Orchestra and Balcony) and Claudio Descalzi (Ecole Claude Mathieu).
http://elsasaladin.blogspot.com/
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