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Flavorflavy photographer is a young graduate of Fine Arts since 2007.

His approach sensitive and poetic touch the themes of the intimate, daily life and memories.

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POPULATION AND DIVERSITY OF ILE DE FRANCE

Exposition collective du 18 / 09/09 au 23/10/2009.

Olido Gallery - 1st étage Avenue St. John No. 473

São Paulo - SP - Brazil

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OVERPRINTING

Espagne, decembre 2008

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PLY THE MEMORIES

Questioned by the relationship of intimacy and photography, I am directed to a search of body awareness through reflection the mirror. Anamorphosis led me to study the shapes and folds of the body at an angle and geometric dreams. Our eyes get lost, leaving us in a position of voyeur. Caught in a trap, you end up seeing only a reflection of our own fantasies.

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BURIED IN THE FAMILY HOME ...

Since my childhood, every time I pass a few days in the house family legacy of several generations, I can not help but delve into every corner. I find priceless memories, but nobody is there to tell me. My grandmother had a passion for genealogy, and my grandfather that photography. Since both died when I was little, I am faced with fragments of memories that no one can really decipher. These memories itself as a heritage to be preserved, it remains for me to regain me ...

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"old things we do they speak in a foreign language or in our mother tongue? In other words, they speak a language that needs to be decrypted at the price of a work of clarification, interpretation, translation, or a language understandable to us immediately, ie a language that resonates in this the echo of a past that is not separated from us, which is present in us, which is present in our present, then it is necessarily an eternal and therefore divine language ... This digression on the language to indicate that the language we are consubstantial, which is the cleanest to say the origin, which is the most original, is not necessarily past or present but it may well be understood as a language to come to happen. In this regard we must consider the hypothesis that the things of the past speak a language that is not as much Interrante to imagine a language that we would have lost the understanding ... It is growing a text on land that originally was not hers. And it is clear that one can say the same thing of the past. This is to acclimatize in a present, give them another chance to exist, to exist a life a little differently. Thus the things of the past speak to us both in a foreign language that must decipher, translate, interpret, and a new language, unique, unprecedented, snatched the future. "

Jean-Francois POIRIER

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remember my grand mother naked family



In the greatest intimacy, she had posed nude for her husband. These are perhaps the most révélatices photographs and romantic love. I can not help but see them as signs of their love life and the design of their first child, my father ...

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Our family tree is tattooed on our skin throughout our lives even if it seems invisible.
"The parentage give each newcomer to the world a surname and genealogy, and every culture develops a set of practices through which it honors its dead. "

Serge Tisseron, How the mind comes to objects, object A memorial Monument

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The woman on the balcony

"We have to evoke the faces, the kinds of mental slides more or less immediate, more or less fuzzy, more or less passed. We in the head, just behind eyes, where there seems to be another screen, baskets, stores photos, more or less familiar, more or less ready to run, and then stores more remote, hilltop, where we go from time to time a slide look older and somewhat forgotten, a face that slips imperceptibly from the other side, before falling completely into a trap, or a fire, and sometimes we no longer find the slide, we no longer a name, then we go back through all the clichés of the same store that were not lost, and we try sometimes overlap but this is nothing more tangible that appears, this is only the shape of the nose, like an ugly hairpiece, or inflection of a single voice, as the notes of a music box, half broken, or the only hair color, the memory a coat, a very faint smell, always transparent or rotting: it is only a very vague and incomplete picture, in the painful effort it demands, in his entreaties réexistance. "

Herve Guibert ghost image, Slides

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reflection of another time

's self-portrait reminds me of my grandfather the approach of many photographers and I tied him to a new link.

" How to resolve the impropriety of such an indiscretion even as it joined the old repressed desires from the highest childhood: eavesdropping, look through the keyhole, listen for the sounds the parents' room, and satisfy the curiosity has always been struck with a curse ..

Lynda flem, How I emptied the house of my parents at the bedside

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sacred memory of Teddy

The Teddy my father found in a trunk I refer to my own childhood and the status that can give an object such as our security blanket.

"... the young child sticks to it, but it is in a learning period of separation: it does gradually become detached from its parent to focus on price as its" doudou "before then detach it."

Serge Tisseron, How the mind comes to objects, an object that sticks to skin, clothing. Coverage of Linus

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a piano

I always had this piano as a place of meditation memories of my family.
"_ So you really gonna do that? "Evoking memories of your childhood" ... As these words bother you, you do not like them. But understand that these are the only appropriate words. Want to "evoke your memories" ... there is not wiggle, it is ça._ Yes, I can not help it, I feel like it, I do not know why ... "
Nathalie Sarraute , Childhood